To Be or Not to Be: That Is the Question

The exhibition titled To Be or Not to Be: That Is the Question, where Martin Janecký and Rony Plesl present their works, is moving after its success during the Prague Art Week festival. World-renowned artists will exhibit their glass sculptures from September 13 to 29 at the Clam-Gallas Palace.

The first joint exhibition of these two world-renowned glass masters is named after one of the most famous and quoted monologues of classical theatre. Just like Shakespeare's magnum opus, the works in the exhibition raise the question of the meaning of human life. They remind us of mortality and balance questions of morality, the power of emotions and the complexity of human (non)being in general.

Hamlet frames the exhibition not only ideologically. Both authors draw their inspiration primarily from history and develop themes of classical art, such as Memento Mori, Vanitas or the motif of a classical bust.

Martin Janecký is known for his mastery of the technique of shaping glass from the inside of a hot bulb (the so-called inside bubble sculpting). Only a few people in the world can do it at the level he does. At the same time, he is the only artist who can create realistic busts using it. They are the focus of his work, and thus of the exhibition itself.

The centerpiece, the Hamlet mask, embodies the Hamlet dilemma of life and death after which the exhibition is named. The half-skull, half-face framed by the paper crown recalls that iconic scene where Hamlet speaks to the skull, demanding an answer to the question "is it more dignified to deny and bear the cruelty of fate and its blows, or to defy the sea of ​​woe and end it forever?"

The now-suppressed topic of death, which has reached almost the level of social taboo, has historically been an important driver of everyday life and morality. A number of classic works of art and literature were devoted to him. It is these that inspire the second of the exhibiting artists, Rony Plesl, who, through this exhibition, confesses his love for classical theater and literature: "I prefer classical literature and classical productions to contemporary theatre. For one thing, I have a relationship with them since childhood, and then the present (in scenography, costumes and literary description) disturbs me. Sometimes the essential can be lost due to its accumulation (…)."

The artist became famous in the world context at the 59th International Biennale of Fine Arts in Venice, Italy, by using the unique Vitrum Vivum technology, which enables the hitherto unfeasible casting of monumental glass sculptures. Plesl also presents this technology at the exhibition. The unique works, in which naturalistic motifs often meet culturally highly cited ones, such as the figures of Jesus Christ, the Virgin Mary or the motif of a skull, are devoted to themes of the transience of human life (in the context of art history, the very popular theme Memento mori - from the Latin "remember death") as well as a person's belief in hope, whether it is related to it through religion or the personal will to live.

The exhibition will take place under the patronage of KodlContemporary, which aims to make top contemporary Czech art available to the domestic and international public and place it in a global context.